Support for Fireface 400, newer Fireface 800 drivers, HDSP series WDM driver. Record functionality Global Record. Compatible to HDSPe PCI and HDSPe MADI/MADIface. RME User Forum → Tips & Tricks → Removing the Fireface USB & FireWire driver on Mac OS X Jump to forum: FireWire & USB series HDSP(e) series MADI/AES Premium Line TotalMix FX AVB/Dante - Network based devices DIGICheck ADI-2 Pro & ADI-2 DAC Vintage stuff Tips & Tricks Product Reviews, user reports, case studies, etc. Miscellaneous Linux RME.
RME Fireface 400 / 800 Driver
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- System operacyjny Windows / Mac OS XP 64-bit / XP 32-bit / Vista 64-bit / Vista 32-bit / 7 64 bit / 7 32 bit / 2000 /
- Licencja: Freeware (darmowe)
- Producent: RME
RME Fireface 400 / 800 Driver Download
Sterowniki RME Fireface 400 / 800 Driver dla Windows 2000/XP/Vista/7 32/64-bit oraz Mac OS X SL (10.6).
Rme Fireface 400 Driver For Mac Catalina
Zmiany w RME Fireface 400 / 800 Driver
The Fireface 800 is the world's most powerful FireWire audio interface ever. Up to 56 channels record/playback, up to 192 kHz sample rate, and true FireWire 800 sum up to an unsurpassed high-end, high performance and high speed FireWire audio interface. Since the Fireface first shipped in July 2004, the unit became the reference for FireWire audio - and still is today!
The Fireface 800 combines the latest and also proven technologies of previous RME products with the fastest FireWire technology. Analog technology of the ADI-8 converters, microphone technology of the OctaMic, TotalMix technology of the Hammerfall DSP series, years of experience in programming of efficient and reliable drivers, up to complete support from DIGICheck - only the best of the best, and even a bit more. The Fireface 800 offers the best worked out instrument input that could ever be found in an audio interface, a high power headphone output and signal-to-noise ratios of 119 dBA.
RMEs Fireface 800 is seen as reference by users and editors, when talking about FireWire audio and mobile recording.
RME's FireWire audio offers many pro-audio features not available from other manufacturer's units:
Complete real-time sample rate lock
Complete real-time sample rate control, even during playback/record
Complete start/stop control. No changed offset after reboot.
Extreme varispeed / external sync support, in all modes (even DS / QS)
Despite having a superior sync behavior (see above), the Fireface's SteadyClock provides a heavy jitter suppression even in varipitch applications.
Reduced protocol overhead, by not sending CIP (Common Isochronous Packet format) headers (AVC, mLan)
Working FireWire 800 solution
Working FireWire 800 fix for Windows XP SP2
Latency change on the fly, while ASIO is running
Latency change on the fly, while GSIF is running
Hardware-based data packet check and drop out correction
Complete real-time monitoring solution, covering all inputs and all playback channels, equaling an 28+28 channels inline console having 28 Aux sends per channel. Lots of advanced and unique features. Plus hardware based Peak/RMS metering.
Windows and Mac OS X drivers are completely identical in terms of features and functionality
Super low jitter MIDI I/O similar to PCI-based performance (1 ms)
RMEs Fireface 800 revolutionized the world of FireWire audio interfaces. Now the revolution continues: The Fireface 400 is not just the little brother of the Fireface 800 - it is a completely newly designed device. It is the only device in its class with active jitter suppression, stand-alone functionality, complete controllability from the front panel, highly flexible I/Os in professional quality, and an unsurpassed 648-Channel matrix router - at sample rates up to 192 kHz.
As usual, RME offer a host of sophisticated features and characteristics with the fastest Firewire technology. These include:
Two digitally controlled Mic Preamps in high-end quality
Two balanced universal inputs for line and instrument signals
SteadyClock for maximum jitter suppression and clock refresh
Simple stand-alone operation with rotary encoder and front panel display
54 Level Meter Peak/RMS, hardware-calculated
Full mobility by Bus Power support
DIGICheck, RME's unique meter and analysis tool
TotalMix: 648-Channel mixer with 42-bit internal resolution
The Fireface 800 combines the latest and also proven technologies of previous RME products with the fastest FireWire technology. Analog technology of the ADI-8 converters, microphone technology of the OctaMic, TotalMix technology of the Hammerfall DSP series, years of experience in programming of efficient and reliable drivers, up to complete support from DIGICheck - only the best of the best, and even a bit more. The Fireface 800 offers the best worked out instrument input that could ever be found in an audio interface, a high power headphone output and signal-to-noise ratios of 119 dBA.
RMEs Fireface 800 is seen as reference by users and editors, when talking about FireWire audio and mobile recording.
RME's FireWire audio offers many pro-audio features not available from other manufacturer's units:
Complete real-time sample rate lock
Complete real-time sample rate control, even during playback/record
Complete start/stop control. No changed offset after reboot.
Extreme varispeed / external sync support, in all modes (even DS / QS)
Despite having a superior sync behavior (see above), the Fireface's SteadyClock provides a heavy jitter suppression even in varipitch applications.
Reduced protocol overhead, by not sending CIP (Common Isochronous Packet format) headers (AVC, mLan)
Working FireWire 800 solution
Working FireWire 800 fix for Windows XP SP2
Latency change on the fly, while ASIO is running
Latency change on the fly, while GSIF is running
Hardware-based data packet check and drop out correction
Complete real-time monitoring solution, covering all inputs and all playback channels, equaling an 28+28 channels inline console having 28 Aux sends per channel. Lots of advanced and unique features. Plus hardware based Peak/RMS metering.
Windows and Mac OS X drivers are completely identical in terms of features and functionality
Super low jitter MIDI I/O similar to PCI-based performance (1 ms)
RMEs Fireface 800 revolutionized the world of FireWire audio interfaces. Now the revolution continues: The Fireface 400 is not just the little brother of the Fireface 800 - it is a completely newly designed device. It is the only device in its class with active jitter suppression, stand-alone functionality, complete controllability from the front panel, highly flexible I/Os in professional quality, and an unsurpassed 648-Channel matrix router - at sample rates up to 192 kHz.
As usual, RME offer a host of sophisticated features and characteristics with the fastest Firewire technology. These include:
Two digitally controlled Mic Preamps in high-end quality
Two balanced universal inputs for line and instrument signals
SteadyClock for maximum jitter suppression and clock refresh
Simple stand-alone operation with rotary encoder and front panel display
54 Level Meter Peak/RMS, hardware-calculated
Full mobility by Bus Power support
DIGICheck, RME's unique meter and analysis tool
TotalMix: 648-Channel mixer with 42-bit internal resolution
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Rme Fireface 400 Driver For Mac Windows 10
Ok, currently I have an Echo Mia 24/96, and I use it to record my guitar tracks. All I need is 2 x Analog inputs and Analog outputs to record and monitor. Recently, I have been thinking about upgrading my audio interface to RME Fireface 400, but I am not sure if it is worth the upgrade. They are expensive! I might be able to get one for $900 off the eBay, where as Echo mia are only $150 new (?).
My question is how much of a difference will I notice with this upgrade? If Apogees were available for PC, I would have definitely bought that, but that being not available, I think my best option is to buy RME Fire Face. I know, RME has similar product, i.e. RME babyface, but on the long run, Fire face might be a better choice.
Can anyone explain, if it is really worth? Once again, I need this to only record guitar tracks (Metal), for 2 x 1/4' analog in, 2 x XLR, and 2-4 monitor out would be more than enough. What I am looking for is a world class A/D and D/A converter, and maybe good preamps for XLR, incase if I need to use mic.
My question is how much of a difference will I notice with this upgrade? If Apogees were available for PC, I would have definitely bought that, but that being not available, I think my best option is to buy RME Fire Face. I know, RME has similar product, i.e. RME babyface, but on the long run, Fire face might be a better choice.
Can anyone explain, if it is really worth? Once again, I need this to only record guitar tracks (Metal), for 2 x 1/4' analog in, 2 x XLR, and 2-4 monitor out would be more than enough. What I am looking for is a world class A/D and D/A converter, and maybe good preamps for XLR, incase if I need to use mic.